Showing posts with label peter marley photography. Show all posts
Showing posts with label peter marley photography. Show all posts

3/23/2012

On Twitter!

I have finally added Twitter to my social networking toolbox. It made sense, and I had only been putting it off for years... (._. )

Well, I am on there now! @PeterMarley_

[Me, on the set of Boys From County Hell, recoding some EPK footage - Feb 2012]


In other news I have discovered a time capsule of photos from Japan that I was urged to sit on back in 2008. Thank you Twy! Looking at the 1000+ images now much more than I ever would have back then. Although I did post a few of the photos up here when I go back there were so many I glossed over. So this felt like returning to a box of contact sheets!

As a result I might make a short film/slideshow containing the images and the (unseen) videos from the 2008 trip to Japan.

More soon!

-PM

3/16/2012

Boys From County Hell (2012) - Teaser Trailer

The teaser trailer for Boys From County Hell (2012) has been finished off. This is a locally produced short horror film that was made last month. I was onboard as their stills photographer. You can see the stills from the three-day shoot here and here.


-PM

3/06/2012

2012 so far...


Forget the Year of the Dragon, this has been the year of short films! So far I have worked on four. I shot Lady Grey (and founded FalseAlarm Media as a result); I worked as standby props in Ryan and Andy Toehill's most recent film, Eyeline; and, as you may have noticed from the barrage of recent posts, I have been taking stills on Boys From County Hell and Pennyinch.

[Crew photo from Eyeline, photo credit: Alasdair McBroom]

That's the film side of things. Back to photography. I have submitted '100Portraits in 100Days' to a few local galleries in an attempt to exhibit the work. Fingers crossed. I am also working on creating a project that focuses on Phytophthora ramorum, the 'rapid tree fungus' that is dramatically changing the landscapes of the U.K.

Naturally, I have been photographing throughout the first two months of the year. The final total of digital photographs taken last year was just over 10,000, which is not bad. I do blame working on Game of Thrones for almost six months for this, but working in the Props department in film is something I wish to continue with. And I was still taking photos, I just can't show most of them anywhere. However, I can show my handmade flail made from a Monkey Fist with splice handle (the life of props provides an unusual skill set):


However, this year has been fun so far and I aim to make the most of it. I turned 24 last month. I made a promise to make one self portrait every month throughout the year so I could track any changes that 'making the most of it' would have, the results are included below.


[Occupy Belfast Camp, Writer's Square Belfast, Jan 2012]

[Brussels, Belgium, Jan 2012]

[Road Sign, Ghent, Brussels, Jan 2012]

[Self portrait with black-eye, Jan 2012]

[P.ramorum affected area in Glenariffe Forest Park, Jan 2012]

[Hannah & I reflected, Soho, London, Feb 2012]

[Glare, London, Feb 2012]

[Self portrait against an elephant wall hanging, Feb 2012]

[Photo tabletop created using old analogue prints and contact sheets, Feb 2012]

-PM

Pennyinch (2012) - Day 2



Day Two in Pennyinch.



Directed by Lucy Caird and Darren Chesney
Written by Lucy Caird
Director of Photogrpahy: Ian Marrs



-PM

3/03/2012

Pennyinch (2012) - Day 1


Another weekend. Another short film.

(Nigel O'Neill, as Jack Lawns, on the set of Pennyinch)

This weekend we are away from the misty mountain tops and sheltered away on farms, B&Bs, country lanes and, of course, the fictional village of Pennyinch.

Directed by Lucy Caird and Darren Chesney
Written by Lucy Caird
Director of Photogrpahy: Ian Marrs



-PM